Tuesday, April 26, 2011

Despise You/Agoraphobic Nosebleed - And On And On...



This brand new split EP has been highly anticipated by nearly everyone familiar with grindcore. It features undeniable titans of the genre Agoraphobic Nosebleed and one of the originators Despise You. Apparently, this is the first new material from Despise You in over ten years, which is exciting, except I had never heard them before this release and was honestly more excited for new ANb material. Regardless of my familiarity (or lack thereof) with 50% of this split, 100% of it rules, and I'm definitely glad I gave it a shot.

Kruger - For Death, Glory, and the End of the World



Switzerland. Somehow not a nation that I would associate with badass death n' roll. But alas, Kruger have proven me wrong once again. I found out about this little-known act when I heard that Gojira's Joe Duplantier was doing guest vocals on their new album (this one). Being that my love for Gojira is borderline stalker-ish, I had to find out more about these guys. There was no way that Joe would put his name (and his glorious vocals) on an album that was anything but stellar. And damn if Mr. Duplantier doesn't have some good taste. This album is stunning.

Sunday, April 24, 2011

Gorgasm - Orgy of Murder



The fact that this CD was even released seems like a god damn miracle to me. Gorgasm have always been one of the most promising brutal death metal bands, and when I heard they were breaking up (back in 2007) my heart broke a little bit. But here we are 4 years later and Damien Leski (vocalist, guitarist, main songwriter) found himself a new group of guys to fill in the empty slots and they have released arguably their best album to date, Orgy of Murder.

Friday, April 22, 2011

Debauchery - Germany's Next Death Metal



Pop death metal. Never thought you'd hear that phrase, eh? Well, I can't think of a better way to describe Germany's Debauchery. Sure, they're heavy, dark, and (sometimes) fast, but the straight-forward song structures and plain old catchy riffs make them as close to pop music as any strictly death metal band could ever be. It's really no huge surprise, considering they come from Germany, a country where metal in all its forms is much more appreciated and revered than it will ever be in the States. It may even be to the point that metal has become pop (meaning "popular") music in Europe, so the term 'pop death metal' could really be the most accurate way to describe these titans of death metal.

Periphery - Icarus EP



Periphery, unfortunately, have been one of the most disappointing bands I've heard in a long while. They are immensely talented and creative dudes (especially Misha Mansoor, the driving force behind the band), and have so much potential it is beyond words. Any fan of Meshuggah and the resulting "Sumeriancore" and "djent" movements has undoubtedly heard of and (probably) loves this band. I, on the other hand, am very, very torn.

Wednesday, April 20, 2011

Feastem - Fear In Concrete



It's rare that I come across a relatively new grindcore band that truly blows me away. That's not to say that I don't like and support up and coming bands, but most that I find are good and not great; they don't stand out from the pack if you will. Feastem, on the other hand, are definitely not one of those bands. Sure, they're not doing anything groundbreaking here, but their style of old school crust and grind is executed perfectly, and it's utterly palpable. And they're from Finland, too. Home of fellow grinders Rotten Sound. So yeah...

Tuesday, April 19, 2011

Thot - Obscured by the Wind



Most of what I review and listen to on a regular basis is (obviously) metal related. However, my tastes do extend much further than the metal genre and this is one of those instances where I have stumbled upon (not via the website) a true gem in the vast expanse of music. Thot is a band hailing from Belgium that categorize themselves as "vegetal noise music". I'm not entirely sure what that means but I'd have to say they are some amalgamation of rock and industrial; what I would call post industrial or experimental death rock. They're hard to label, but that is just one of the things that is so fascinating about this relatively unknown noise duo.

Monday, April 18, 2011

Rotten Sound - Cursed



With a career spanning nearly 20 years, Rotten Sound are a force to be reckoned with in the field of grindology. As much as I love grindcore in all its forms--good or bad, long or short, fast or slow--almost no band in the scene plays with as much heart and ingenuity as these Finnish grindologists. From their blisteringly fast less-than-a-minute songs to their sludgeified grind epics, every release offers up something new and refreshing and Cursed is far from an exception.

Thursday, April 7, 2011

Benighted - Asylum Cave



What do you think of when you think of France? Baguettes, croissants, other breaded pastries? Well now you can add brutality and musical innovation to that list as well. The French are some seriously crazy and creative dudes when it comes to metal. The country's been churning out some of the best metal acts in years with the likes of Gojira, Gorod, Kronos, and of course BENIGHTED!

Tuesday, April 5, 2011

Between the Buried and Me - The Parallax: Hypersleep Dialogues



Constantly pushing boundaries and challenging the very definition of metal, Between the Buried and Me are simply one of the most interesting and awe-inspiring bands working today. It's hard to get me to say anything negative about this immensely talented bunch of dudes and I'm certainly not going to start now with their newest effort, the first in a 2 part concept album, The Parallax: Hypersleep Dialogues. While it's only an EP, (3 songs, which total just over 30 minutes of music, so really it's longer than most grindcore full lengths) it certainly delivers a feisty punch to the gut in such a short amount of time.

Monday, April 4, 2011

Album vs. Song

First, a brief history. Let's start back in the late '90s. With album sales already on the decline, record labels began releasing less and less album singles, hoping that by cutting out that market fans would--by sheer lack of an alternative--buy more full albums, which would increase the labels profit margins dramatically. But they didn't. Of course. Instead, fans turned to the internet, where these crafty little things called "mp3's" were beginning to pop up. With the advent of these puppies, music was now instantly available and super easy to get, without having to leave your comfy little desk chair! Record labels, recognizing the oncoming shift in the way music was being acquired, snatched up the rights to the then most popular mp3 website, aptly named www.mp3.com, and shut it down, forcing the consumers once again to relegate to the purchasing of physical albums. What they didn't foresee was the demon spawn known as file sharing. Along came Napster, the record industry's Godzilla, and tore through their pretty little market, destroying it like so many screaming Japanese women and children. And then... Oh yeah, Metallica happened.

For a minute there, it seemed like the digital form of music had died before it was even truly born. But not for long. In flew Apple and their nifty new inventions called the iPod and iTunes. Finally there was a convenient, plentiful, and (most importantly!) legal way to buy music online and carry your entire library around with you in your pocket! But again, file sharing reared its ugly head, and now you can download anything for free via BitTorrent or file sharing sites such as MediaFire and RapidShare. The suits just can't seem to find a way to stop us. Which is why it's time for the record labels to relent and realize their purpose is dwindling in this digital world. Getting your music out to your fans independently has never been easier, and it will only become easier as time goes on.

Singles have always been a lucrative market among labels and bands alike. But full albums were always their bread and butter. However, with the advent of iTunes, people began to realize that they didn't need to spend $15 on an entire CD when they only wanted to hear one song. This isn't necessarily a bad thing--there are plenty of albums I've purchased over the years for one or two songs only to find out the rest of the album was a pile of dog shit--but it's completely taken the risk and some of the fun out of buying music and discovering new bands. For every album I bought that turned out to suck, there were at least five that turned out to be ear-shatteringly awesome. I would've never heard of or listened to a lot of the bands I like today without giving their albums a shot.

Albums have always been what's kept me going in my undying discovery of new music and artists. It's great when I discover one song that blows my mind, but when the rest of the album is either carbon copies of that same song, or too disjointed to even be considered the same band, I am immediately turned off. To me it's like watching a movie and finding only one scene that's worth watching while the rest of it may as well have been left on the cutting room floor. Anyone can write a catchy song, maybe even two or three, but the ability to write a string of songs with a cohesive flow that can keep listeners' attention and continuously wow them for the better part of an hour is a gift only bestowed upon the few. I'm not just talking about concept albums either--though a well-executed one is a guaranteed way to get me hard quicker than good whiskey and bottle of Viagra--but albums in general. Even a genre as unrelenting and esoteric as grindcore has its share of album-length gems (most notably from bands like Pig Destroyer and Rotten Sound), that keep you on your toes for their entire ride.

Ultimately I think it should be up to the artist whether or not they want to record a full album or just release individual songs/EPs. Nowadays, there really is no financial or ergonomic reason to feel obligated to release full albums; you can just as easily release a song online by itself. It's the fans, critics, bloggers, etc. who so adamantly believe that band's should no longer release albums that get my goat. If an artist/band decides they want to release a full album, concept or otherwise, they should be able to do it, and if not, so be it. This is the age of the artist, where you can have full creative control over your output and still make it available to your fans in any form you like. It's like I said before, record labels are (almost) useless in 2011 and only serve to complicate and bankrupt the artists they claim to represent in this growing DIY market.

On the flip side of that, there do happen to be a few record labels who are morphing their business plans to keep up with the latest trends in purchasing/accessing music. After realizing that the new Wormrot CD had leaked online a month before its release, Earache Records decided to upload the album themselves and offer it up digitally FOR FREE! They gave the fans what they wanted and right now that is the most important thing. If you cater to your fans, and get them on your side, they're more likely to be loyal to you and maybe even purchase the album when it's officially released. I know I will. Even if not, there's always merch and tours to keep the money flowing, and the more people who hear the music you're representing, the more people there are to buy said merch and concert tickets.

The other big stunner propagating free music is (oddly enough) Scion. Yeah, the car company. Each year they put on dozens of free metal shows (and one giant festival, also free) geared towards spreading the word about up and coming bands (and of course their cars). Lately they've even begun putting out EP's for lesser known bands, namely the grind outfit Magrudergrind. Yes, it is one giant marketing campaign, but I must say, amidst a sea of brand inundation, I'll take free metal shows over annoying commercials prefacing my YouTube videos any day.

Bottom line, if you're in it for the music there's no reason why you shouldn't be allowed the option to release your music the way you deem it the most appropriate, free or not. The industry is rapidly changing and it's the people at the forefront that will continue to prosper and still be around five/ten years from now. So write an album, or just a song, and get it out there, whatever it takes! Fuck everything else.